Abject photography/art is an unconventional way of showing
certain subjects.
In 1945, painter Jean Fautriers exhibition ‘Hostages’ was
one of the first examples of a new artistic direction. Faurtrier had produced a
series of heads and torsos ‘morbidly inspired by sounds from the surrounding
woods where the Occupying forces regularly tortured and executed prisoners.’
This work shows informal and formlessness with the body. The
most influential informal artist was Jean Dubuffet. His work focused on the
abject bodily image - ‘the art of children, the untrained and the insane.’
“Who's That Girl?: "Alex Eats," A Case Study
in Abjection and Identity in Contemporary Fashion Photography.”
One example of abject photography is the fashion shoot ‘Alex
eats’ by Anthony Gordon which was published in an issue of ‘The Face’ magazine.
It features the model “in a series of tableaux that graphically portray her
fetishistic involvement with food.” Abject images of the female body are
graphically portrayed in this series of photographs.
Abject imagery can be shown through real life
events/tragedies that happen around the world. After the earthquake in Haiti,
on January 12th 2010, newspapers like the ‘Washington Post’ and the
‘New York Times’ ran ‘gruesome and violent images of the event.’
“the Washington Post ran an image by staff photographer
Carol Guzy, showing a man emerging from a thin gap in the rubble. Next to him a
schoolgirl is seen from behind, apparently bent over and kneeling. A first,
cursory reading of the image suggests that perhaps she is praying. A second
glance makes it obvious that the head and upper torso of "Ruth," a
student at the Ecole St. Gerard, have been crushed by a slab of falling
concrete.”
During the war in Iraq
and Afghanistan,
images of the wounded and dead were too graphic and ‘politically volatile’ for
the media, it’s hard to believe that a mainstream newspaper ran such an image
just 3 days after the disaster.
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