Showing posts with label Alex. Show all posts
Showing posts with label Alex. Show all posts

Sunday, 3 April 2011

Photography and everyday objects - Web

Andre Kertesz - From My Window

 Kertesz; Italian Blown Glass—"Elizabeth."

Andre Kertesz' still life images in from my window show how objects can be used to document feelings and emotions, after his wife died Kertesz started to document objects from his apartment that reminded him of her presence. He shot these objects using a Polaroid camera on his windowsill using the light and backdrops available to him.


These images show how objects like photographs are aides to memory, we use them to remind us and help us relate to people who are absent. We all have objects in our lives that have a significance to us more then their monetary worth, either they were gifts from loved ones or they relate to a significant event of our lives. These images allow the significance of these objects to Kertesz to be passed on to us and their original mundanity has something added to it. The question is would they seem so full of importance if we didn't know that these were part of the memories of his wife or does just the act of photographing them show they have significance?

Monday, 14 February 2011

Photography As A Surveillance Device

As I had difficulty finding books which specifically included references to the practical uses of surveillance photography I decided to look into photographs that had the same visual characteristics as surveillance pictures and connected to the idea of being watched and observed in our society.

One work which I found was Phillip - Lorca diCorcia's series Head which has images obtained by concealing a camera and flash on a scaffolding in New York. The flash was programmed to go off each time someone passed by and then diCorcia would take the image.


 Photograph from The Photograph As Contemporary Art, Charlotte Cotton p20



Another work I looked at was City by Beat Streuli which has a similar idea behind it except that these images are taken in daylight with a very long lens usually including more of the subjects body. To me these images have a more personal and voyeuristic feel than the other series as the bright daylight and the other people out of focus and blurred in the frame make them seem like photographs from a private investigator.

Beat Streuli, City



http://www.sparknotes.com/philosophy/disciplinepunish/section7.rhtml




Monday, 31 January 2011

Recorders by Raphael Lozano-Hemmer is an immersive show which invites the viewer to participate at the first opportunity, as soon as you walk through the door. The first piece, Pulse Index invites the viewer to insert their finger into a hole which photographs their fingerprint and records their pulse rate. The fingerprint is then displayed with all the previous participants and becomes part of the work. This immediately involves the viewer and they in turn become a part of something which could not exist without them.  This also makes you think more closely about our fingerprints. How they are all unique to ourselves and how they are used to identify us, perhaps not always in a good way especially with talks about ID cards to increase security.




For me the most visually striking and involving work was the Pulse Room, at first the continuous flashing at the different rates is a bit of an assault on the eyes, but after spending a few minutes in there it becomes surprisingly soothing and relaxing. The flashes made me think of all the other participants and how even though they were set in a wide empty space the people who had contributed to the work seemed to be an invisible presence. This was because the pulse beats made me think of the one vital sign that people look for when determining if someone is alive or not. The difference in the intensities also made focus on the individuals and  what was it about them that had made some lights so bright.

Overall i found Recorders very interesting as I have never been to see installation art that was so interactive and dependent on public participation and this has inspired me to think of ways that I could involve people in works and use space as part of a piece. I felt it raised interesting questions about the use of technology which permeates our lives and which we don't usually notice.