David Campany begins his essay by
discussing his first connection and personal opinions of the image “dust
breeding” Man Ray and Marcel Duchamp 1920. He then moves on to discus the
history and story behind the image. Including process and practice behind the
making of the image, Including descriptions and first publications.
After his initial story telling of the
image and its history Campany talks about its links with surrealism and how the
image is the first surrealist photograph, then moves on to make comparisons to
semiotics and discuses how this image is a sign. A sign of life and living,
almost like an index of life being present, Comparison are made between this
and a photograph also being an index of information.
Campany discuses the title of the image and
how this is also an index of the image and how the title is a source to a
vantage point, weather this vantage point be it true or false. He then discuses
how titles that accompany images suggest a subject and how the subject is
expected. The subject of this image is then discussed and dust is compared with
passing time, and terrain. He makes comparisons by using film, quotes and other
images depicting this.
Campany then discuses Dechamps previous
work and publications of the image, and how his previous work is an integral
part of his work “Dust Breeding”. The
links are then made with realism and how this is not initially visible and is
overlooked, and how this images is a representation off life and time. Links
are made between the image and modernism with it containing harsh textures. Various
comparisons between all different aspects of art are made, and its process and
how this image is an innovation before its time.
To finalize Campany summarizes that
photography is an index to something and a trace, and how we use photography to
document time, and modern times are making way to simplicity and hopefully
images will be about to capture time and life just like “dust breeding”
depicted.
Man Ray and Marcel Duchamp, (1920), Dust Breeding [ONLINE]. Available at:http://selfinterestandsympathy.wordpress.com/2008/07/23/the-future-as-disruption/man-ray-dust-breeding-1920/ [Accessed 12 February 14].
David
Campany (2005) Singular Images:
Essay on Remarkable Photographs. New York: Aperture, :
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